(Jean-Jacques Rousseau)
The Romantic period was a critical reaction to the empiricism, determinism and automatism of the Age of Enlightenment. While the Enlightenment stressed reason and rationality, the Romantics favored creative expression, individual will and autonomy, an organic approach to the world as opposed to the artificial and barren views of the Enlightenment, a rejection of societal decadence and luxury for the pursuit of individual expression, and a passion for the natural world as opposed to the conformity and slothfulness of the plebeian masses of society. The Age of European Romanticism can be expressed as the triumph of individual will over the whim of the masses and the encroaching powers of the collective whole. The powers of the imagination were of greater significance than cold and barren rationality. While the Romantics displayed the vibrancy and effervescence of their imagination, the Enlightenment reliance on logic and empirical data attributed to an atrophied imagination. For the Enlightenment philosophes, man was an advanced machine or automaton capable of complex actions and elaborate thought; however, an autonomous will and true consciousness were deemed to be nonexistent. The Romantics vehemently opposed the determinism of the philosophes and favored individual autonomy over collective subservience. In my understanding of the Age of European Romanticism, the potency of empirical reason and objectivism were subordinated to the potency of trepidation, aesthetic sublimity, intuition, emotion and the subjective experience. In summary, the individual was an autonomous being with full sovereignty over their own person and that the powers of the imagination were deemed superior to the empirical reason of the philosophes as according to the Romantics. In addition, while the Romantics strongly favored the great spectacle of the individual imposing their will upon society as in the example of Napoleon who embodied the Romantic ideal as a revolutionary force that impinged itself upon the world and as a world historical figure, the Enlightenment philosophes favored the stagnant or ossified autocracies of the old order (The age of the absolutist monarchs). The two main variants in the political theory of the period of the Enlightenment were the liberal constitutionalism of Charles-Louis de Secondat Montesquieu and the benevolent despotism or enlightened absolutism as espoused by Voltaire in its moderate form and Baron d'Holbach in its extreme version.
During the Age of European Romanticism, the significant dichotomy between the civilized state and the natural world, the objective versus the subjective experience and the state of isolation as embodied in nature versus the collectivism of society was considered by the Romantic writers, poets, visionaries and philosophers. For the Romantics, civilized society represented an artificial construct that limited the sovereign rights of the individual by coercing the individual into conforming to the will of the collective or to the masses. In this sense, the state formed an artificial barrier between the individual and nature. Through the coercive actions of society, the individual's natural autonomy and full sovereignty over their own person were crushed by the leaden weight of the masses or the vulgar crowd. For the Romantics, the individual was the pillar of society and was of greater significance than society itself. For the Romantics, the archetypal figure of the Romantic movement was the Emperor of the French Napoleon. Napoleon gloriously ascended from obscurity in the Mediterranean island of Corsica to vertiginous heights or to the summit of power as the imperial successor to Charlemagne. From the uniform of a simple soldier, Napoleon adorned himself with imperial panoply. As Napoleon imposed his individual will upon the entire populations of Europe, so too does the Romantic hero represent the triumph of individual will over the common herd of man. While the people represent a mass of mediocrity, the Romantic hero embodies individual excellence, superiority of will and intellect, and the triumph of creative expression and the powers of the imagination over cold reason and calculation. With the spread of revolutionary fervor, the ascension of Napoleon to the imperial appellation and the disintegration of the old European order, the blind optimism and strict rationality of the Age of Enlightenment were irrevocably lost.


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